Peter Graham’s ‘symphonic poem’ was originally written for the 2019 British Open Championships and is inspired by the musical life of the legendary Harry Mortimer.

The composer describes it as something of ‘a musical adventure story’ – and takes its ‘dynastic’ linear development from Mortimer’s own recollections.

It is a deliberately romanticised story of a player destined from birth to be the ‘best cornet player in England’ – initially driven by his father through to his first major contest experience at Crystal Palace in 1913.

Fred’s own war time experience is recalled, which contrasts with Harry’s own development in theatres and musical hall orchestras and ensembles.

New challenges come as joined by brothers Rex and Alex under their father’s baton they become the stanchion points of the great Foden’s Band of the 1930s, before the baton is passed to Harry on his father’s death.

His playing and conducting successes are recalled through direct and indirect quotation – from ‘Sovereign Heritage’ to ‘Messiah’ with the work ending in a dramatic fugue that closes in a triumphant affirmation of a life of musical glory and achievement.